Number of Tracks: 13 Length: 42 Minutes File Size: 59 MB Jack White is probably one of the best and most active musicians in almost the last two decades. Along with Meg White, he has mesmerized the world with the raw, simple and rocking music of the White Stripes. Not fully content with that single band, he made some other side projects along the way including The Raconteurs and The Dead Weather. After so many years working in music industry—both as a musician or a record producer—and after the White Stripes decided to break up, in April 2012, Jack White finally recorded and released his debut solo album, Blunderbuss.

The singles from this album: - Love Interruption: The first single from the album, released January 30, 2012. It peaked at #13 and #27 on the Billboard US Alternative Songs and US Rock Songs charts, respectively. - Sixteen Saltines: The second single, released on March 13, 2012. It reached #129 in the UK Singles Chart. - Freedom at 21: A track originally released via helium balloon as a part of a stunt for Record Store Day, was leaked onto the internet on April 14, 2012. In the first week upon its release, Blunderbuss debuted at number one in Billboard 200 chart. Here’s the complete list of the songs in this album: 01.

'Missing Pieces' 02. 'Sixteen Saltines' 03. 'Freedom at 21' 04. 'Love Interruption' 05.

'Blunderbuss' 06. 'Hypocritical Kiss' 07. Asprunner Pro 7 Serial.

'Weep Themselves to Sleep' 08. 'I'm Shakin' 09. 'Trash Tongue Talker' 10. 'Hip (Eponymous) Poor Boy' 11.

'I Guess I Should Go to Sleep' 12. 'On and On and On' 13.

'Take Me with You When You Go'.

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Jack White leaves such an indelible stamp on any project he touches that a solo album from him almost seems unnecessary: nobody has ever told him what to do. He's a rock & roll auteur, bending other artists to fit his will, leading bands even when he's purportedly no more than a drummer, always enjoying dictating the fashion by placing restrictions on himself. And so it is on Blunderbuss, his first official solo album, arriving five years after the White Stripes' last but seeming much sooner given White's constant flurry of activity with the Raconteurs, Dead Weather, Third Man Records, and countless productions. Here, he's once again placed restrictions on himself but they're not quite as clearly defined as they've been in the past, as when he's gotten great dividends by working with a limited palette. All the restrictions are entirely of a comforting variety: he's abandoned the primitivism of the White Stripes, something that came easily with Meg White bashing away on the drums, and has chosen a quieter, polished route, rotating in different musicians for different tracks. Jack still pulls out some standards from his bag of tricks -- clenched blues explosions, squealing guitars, and a cool breeze of electric piano -- but musicians matter and this bunch of pro players tightens and softens his attack (sometimes to its detriment, as on a clumsy cabaret version of Little Willie John's 'I'm Shakin').